4 blog posts found matching keyword search for: Digital Capture Van in Grapevine
The Journey to 100 Years with The ASC
Richard Crudo, ASC was born and raised in Brooklyn, New York. He began his film career as an assistant cameraman. As a director of photography, Crudo has shot a wide range of feature, television, and commercial productions. Among his feature credits are Federal Hill, American Buffalo, American Pie, Music From Another Room, Outside Providence, Down To Earth, Out Cold, Grind, Brooklyn Rules and some 26 episodes of the Emmy-award winning Justified. He has also directed several independent features.
Published on Wednesday, March 27, 2019 10:00 AM
2018 Camera Comparison Chart
Gary Adcock and Tom Fletcher released an excellent camera comparison chart that has a great deal of useful information about a number of cameras that we see and use every day. This chart is a useful tool for experienced pros and newcomers as a way to navigate the many nuances of shooting and recording formats available to work with.
Published on Thursday, July 5, 2018 10:08 AM
Year 2023 In Review: Navigating the Storms, Celebrating Wins, and Charting a Course for Your Production Future
How do you feel 2023 has been for you? Did you shake off the remnants of 2022 and kick some ass? Did you make up for lost time? For many 2023 started out on a strong note, with productions coming on strong. Then of course then as we all know the strikes happened and many productions and projects had to hit pause. Fortunately those strikes are now behind us and we can get back to work.
Published on Thursday, December 14, 2023 9:00 AM
In From the Cold — The Tools I Used Shooting the Indie Movie: The Windigo
Ask a Filmmaker of any stature, and they will tell you that they never have enough resources (time, budget, equipment), to devote to any project. It’s certainly true for me shooting indie (read: low budget) features. However, for better or worse, it is an area of the business I’ve come to be known for, movies with budgets between half a million and five million dollars. Over a 40+ year cinematography career, I’ve learned a lot of tricks to squeeze maximum production value and good looking images out of meager budgets, making dimes look like dollars on the screen.
Published on Monday, February 11, 2019 10:00 AM
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